710 Twin-Finity™ Tone-Blending Mic Preamplifier
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Die Klangfarben von Röhren, Transistoren und alles dazwischen - mit dieser einzigartigen Kombination aus Mikrofonvorverstärker und DI-Box
Der preisgekrönte 710 Twin-Finity™ ist ein radikales Mikrofonvorverstärker-Design von UA, das die klassische Retro-Wärme von Röhren und die bissigen Transienten von Transistoren in einem Rackgerät auf zwei Höheneinheiten mit halber Rackbreite vereint. Der 710 wurde speziell für eine höhere Klangvielseitigkeit und Inspiration entwickelt, die bei den meisten typisch verbauten Vorverstärkern in Audio Interfaces fehlen.
Das Überblenden der Klangfarben ist zwischen 100% Röhre und 100% Transistor durchgehend variabel und liefert dir praktisch eine unendliche Palette einzigartiger Vorverstärker-Klangfarben plus die Möglichkeit einfach deinen eigenen „Signature Sound“ einzustellen. Es gibt eine Menge Transistor- und Röhrenvorverstärker zu vernünftigen Preisen am Markt, aber der 710 Twin-Finity ist der einzige, der das Beste beider Klangwelten anbietet — wie auch alle Nuancen dazwischen — alles in einem Gerät und in einem preislichen Rahmen, den sich jedes ernstzunehmende Projektstudio leisten kann. Enthält ein 19" Rackmontage-Kit für die Installation von einem oder zwei Geräten.Die jeweiligen Klanganteile von Röhren und Transistoren in einem einzigen Vorverstärker / DI verwenden
Zwischen Röhren- und Transistorensound überblenden und so unendlich viele Texturen und Klangfarben erzeugen
Mit dem leistungsstarken und vielseitigen Vorverstärker das wahre Potential deines Mikrofonschrankes voll entfalten
Gitarre, Bass oder Keyboards über den 6,35 mm Hi-Z-Instrumenteneingang im Klinkenformat an der Gerätevorderseite sehr einfach aufnehmen
Die ultimative Mic Preamp Flexibilität
Der Schlüssel zur klanglichen Flexibilität des 710 Twin-Finity liegt in seinem innovativen Schaltungsdesign, das einen Transistor-Transimpedanz-Eingangsverstärker enthält, der gleichzeitig separate, phasentreue Röhren- und Transistor-Verstärkungsstufen versorgt, die an einem einzigen Ausgang summiert werden. Das Mischverhältnis zwischen der referenzbezogenen 310 Volt Klasse-A-Trioden-Röhrenstufe und der Transistor-Transimpedanz-Stufe wird über den mit "∞“ beschrifteten „Überblendungsregler“ gesteuert. Das Überblenden der Klangfarben ist zwischen 100% Röhre und 100% Transistor durchgehend variabel und bietet dir praktisch eine unendliche Palette einzigartiger Vorverstärker-Klangfarben plus die Fähigkeit einfach Deinen eigenen „Signature Sound“ einzustellen.
Drive ohne Ende
Wie alle unserer anderen Vorverstärker-Entwicklungen bietet der 710 eine duale Regelung der Verstärkungsstufe (Gain / Level), die den Anteil der Färbung und Verzerrung drastisch beeinflussen kann, indem sie ein „Aufreißen“ der Eingangsverstärkung wie bei einem Gitarrenverstärker ermöglicht. Die VU-Pegelanzeigen bieten einen einzigartigen "Drive" Modus, über den du sehen kannst, wie hart die Eingangsstufe angefahren wird.
User-Rezensionen
T. Cherry
10. August 2024
My Go To Unit
Perfect addition to my studio. I use it with a Neumann TLM49 mic. Had number ones come out of this setup. For reference, please...
WeiterD. Ho
23. Juni 2023
“Ace Of All Trades”
A beautiful tone is a given with the 710 Twin-Finity. But what sets this preamp above the rest are the kinds of tones you can get with it. Leaning on the solid state side for transient...
WeiterG. Amato
17. Januar 2022
It's my only analog preamp
Love the 710, specially the blend function between tube and resistor. I use it mainly on vocal.
WeiterI. Ivanov
18. November 2019
Great unit but not exactly as promised
This unit has been out for quite a long time now. It is a great preamp- musical and solid. I found that if you swap the factory tubes with better ones you get much better results. The tone...
WeiterS. Ribeiro
8. November 2019
Kein Register möglich!
Wo könnten wir unsere Gerät registrieren ???
Weiter -
Eigenschaften
Twin-Finity™ Tone-Blending
Mic/Line Preamp & Hi-Z Instrument DI
Zweipfadige 310 Volt Klasse-A Röhren- und Transimpedanzvorstufen
Phasengenaues "Tone-Blending" von Röhre und Transistoren
Duale Verstärkungsstufen:
Zusammen mit Gain von cremig bis crunchy
Diskrete JFET DI mit 2,2 MOhm Ultra Hi-Z Impedanz
Einteilige, symmetrische Ausgangsstufe
70 dB+ Verstärkung, +48 V Phantomspeisung, Pad (-15 dB), Phasenumkehrung und Low Cut Filter (75 Hz)
Hintergrundbeleuchtete VU-Pegelanzeigen von Output und "Drive"
Portables Design für die Rackmontage im Studiorack, Studiotisch und Bühnenrack
19” Rack-Montage-Set im Lieferumfang enthalten
Hi-Z Eingang an der Vorderseite (automatisches Umschalten von Mic/Line über Jack Detect Funktion)
XLR-Mikrofoneingang, XLR-Lineeingang und XLR-Lineausgang auf der Rücksseite
Universelles internes Netzteil
Extrem robuste Metallkonstruktion
Spezifikationen
Inputs
Microphone (Female XLR)
Balanced Line (Female XLR)
Unbalanced Instrument (1/4" jack) (D.I.)
Outputs
Balanced Line (Male XLR)
Tube Complement
12ax7
Pad
-15dB
High Pass Filter
75Hz
Maximum Power Consumption
160mA @120VAC, 20W
Power Requirements
100-240VAC
Dimensions
8.45W x 3.5H x 10.25D
Weight
5.25 lb
Impedance
Mic Input Impedance
2K ohms
Line Input Impedance
10K ohms
Hi-Z Input Impedance
2.2M ohms
Internal Output Impedance
600 ohms
Gain/Levels
Gain Range for Unit
-Infinity to 70dBu
Mic Range Gain Pot
10 ~ 60 dBu
Line Range Gain Pot
-10 ~ 40 dBu
Hi-Z Range Gain Pot
-10 ~ 40 dBu
Frequency Response
Mic Frequency Response
20Hz to 100kHz +/- 0.2 dBu
Line Frequency Response
20Hz to 100kHz +/- 0.2 dBu
Hi-Z Frequency Response
20Hz to 100kHz +/- 0.2 dBu
Distortion
Min THD+Noise @ +4dBU
0.1% tube 0.005% solid-state
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User-Rezensionen
710 Twin-Finity™
T. Cherry
My Go To Unit
Perfect addition to my studio. I use it with a Neumann TLM49 mic. Had number ones come out of this setup. For reference, please check out Parmalee "Just The Way". Song was recorded at my studio with this setup. You can't go wrong with it!!!!
D. Ho
“Ace Of All Trades”
A beautiful tone is a given with the 710 Twin-Finity. But what sets this preamp above the rest are the kinds of tones you can get with it. Leaning on the solid state side for transient attacks (overheads, guitar, metal percussion), and the tube preamp to fill out and warm up vocals, cello, woodwinds provides clarity and separation even before you start mixing!
G. Amato
It's my only analog preamp
Love the 710, specially the blend function between tube and resistor. I use it mainly on vocal.
g. tidas
Pré Ampli au top
très simple d'utilisation. Il fait le job
F. Bell
UAD Finity kann nicht registriert werden!?!
Leider kann ich meine Finity 710 nicht registrieren, warum nicht???
I. Ivanov
Great unit but not exactly as promised
This unit has been out for quite a long time now. It is a great preamp- musical and solid. I found that if you swap the factory tubes with better ones you get much better results. The tone blending feature is a gimmick tho. Good unit overall but not exactly as promised.
S. Ribeiro
Kein Register möglich!
Wo könnten wir unsere Gerät registrieren ???
T. Garrett
Workhorse of a preamp!
I've had this unit for a while now and it has been a heck of a preamp. No wonder they are still selling them. Great tones and clean sound.
S. López
Lo que buscaba
Justo lo que buscaba para mi Home studio y mi bajo eléctrico
v. ramani
Singer,songwriter,producer
I first had the UA twinfinity 710, but sent it back for a Solo 610, which works very well. However i realised i also like the product of the 710, as it is a very good pre amp, so I decided i wanted, so i re purchased it. iI find that UA products are well made and perform very well.
J. Iantorno
Every Little Thing UA Does IS Magic.
So, I've been engineering for a while now and one of my pet peeves has always been getting a great hat sound. This was the motivation behind grabbing the 710. It only took a few minutes to dial in the sound I've been hearing in my head all these years. And don't get me wrong, this pre sounds great on guitars too! Very versatile box.
s. soeun
Love It
Just recently purchased UAD Arrow with this 710 and I must say..... it’s the only way to go if you’re the type that love having desk space. Sounds that I’ve achieved with the Neumann TLM 102 and the slate microphone through this pre - amp are phenomenal ! I recommend all to have this setup !
M. Magzalci
I do not hear Universal Audio quality!
I have two 710 devices and unfortunately I have to say that I am very disappointed. When a device it starts to crack when I turn the poti. I rarely use them. The fact that these devices are so vulnerable may have something to do with the fact that they are "Made in China" and not like other devices (610 Mark2) are not made in-house. I will try to resell these devices and would not recommend them for these devices. The character difference between clean and with tube are very very small. That's why I bought these preamps. You have to be very careful with the tube sound. Already in the middle position it can come in the mix to distortions which are very quiet when recording. But these come after compressing extremely forward. It is best to operate this preamp clean. Who has the money should rather buy a LA 610 Mark 2. Worth every penny but this preamp is not for me Universal Audio Preamp!
M. Magzalci
I do not hear Universal Audio quality!
I have two 710 devices and unfortunately I have to say that I am very disappointed. When a device it starts to crack when I turn the poti. I rarely use them. The fact that these devices are so vulnerable may have something to do with the fact that they are "Made in China" and not like other devices (610 Mark2) are not made in-house. I will try to resell these devices and would not recommend them for these devices. The character difference between clean and with tube are very very small. That's why I bought these preamps. You have to be very careful with the tube sound. Already in the middle position it can come in the mix to distortions which are very quiet when recording. But these come after compressing extremely forward. It is best to operate this preamp clean. Who has the money should rather buy a LA 610 Mark 2. Worth every penny but this preamp is not for me Universal Audio Preamp!
J. Jimenez Rosriguez
Excellent
Excellent device
L. FERNANDEZ
Excellenet
Ah quel bonheur!!
Je l'ai acheté il y a quelques années avec ma première UAD2 et je m'en sers pour tout. Voix, bien-sûr mais aussi mes basses, mes guitares avec ce petit "growl" bien chaleureux de la petite lampe (que je changerai peut-être un jour au profit d'un modèle légèrement plus chaud encore). Je l'adore, c'est mon petit pote qui fait tout à la maison sauf le ménage, ça ce sont les plugs UA qui s'en chargent et avec tout autant de brio.D. Boudreau
Not hearing all the hype
Okay so I've read a ton of reviews about this product. How it gives a plethora of tone variety etc. But I don't hear any difference between the solid state side as opposed to tube. Maybe I have a faulty unit I'm not sure. There isn't even a lot of difference between the mic preamp in a little Presonus Firestudio audio interface and this unit. Definitely not $700 worth I'll probably be returning it.
G. Braga
Great product!
I'm really impress with all tone managements on a simple device like he 710 Twin-Finity. Great product for the budget.
Will be better with a stereo output, but works nicely!R. Bouma
Excellence heavyweight for the long run
It has all you need. They nailed it with this baby. For many years now it just brings what I need from a mic & line pre-amp. hiZ input sounds de-luxe, put a mic true it and it has a clean to warm sound with the blend (Fet mix Tube) function to top it of. It has al the basic functionality an input needs. Even if you set the input on fire and totally destroy it you will like the X-factor. Great dynamics.. End conclusion: a 10+ Its a fact that many hits are recorded today with this tool in combination with the apollo's. Thanks for reading!
S. Kirkegaard
Awesome!
Enough said.
