Shadow Hills Mastering Compressor
User-Rezensionen
Shadow Hills Mastering Compressor
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J. Milliet
Exceptional
I've never worked with the hardware unit, so I can't say how close it is, but actually it doesn't matter 'cause this plugin is sounding gracefully.
Stereo link option for the controls would be appreciated :)
S. Hurtow
Sweet, Sweet Analogue ... All About Choice
Of course I hit the '14-Day Trial' button! It was too impossible to refuse. Third day in and already my ears are pricked up, listening to the nuances. I'm constantly running back and forth between my SSL G Bus Compressor and Shadow Hill's 'Retro Masterpiece'. Here is what I'm hearing so far. Running Shadow Hill, the sound is more 'pillowy'; more 'spongy'. The response holds back and builds more gradually so when the signal passes, the ascend is like a retro airship or a steam locomotive. The SSL G Bus is more like a 1970s 747. The take-off is more solid and determined, giving you a more clear sonic picture as opposed to the dreamy soundscape created by Shadow Hill. At the end of the day, both are outstanding. It's all down to what you want.
I. Duarte
Awsome
This is one of the best compressors I have ever used. Transparent and clean when you need it, and very naughty when the song demands it !
I Just Loved It !
J. Ferraro
UA should've done this one instead Brainworx
Short and sweet, this doesn't sound close at all the hardware, nor does it sound particularly remarkable as a plugin in it's own right. It uses less DSP than an instance of the old UAD Precision EQ (under 6%), and sounds like *a lot* of corners were cut - a cursory attempt at making a software model of a sophisticated device. It doesn't sound like a $300 plugin in the least. The score I've given it reflects the rather glaring last of attention to detail and ridiculous price point for a ho-hum plugin like this one. UA would do well to put Bx to task on getting this right in a future update (FOR FREE), as it is easily one of their weakest links right now amid an otherwise pretty impressive line up.
M. Olsen
Crap, another plugin I cannot live without.
While I still rely on the Slate FG-X for my heavy gain lifting, I couldn't part with the Shadow Hills Mastering Compressor for a single job after hearing it. I'm using it prior to any brick wall limiting and I go for tone over gain. The result is absolutely stunning sounds decidedly more analog with a rounder, more pleasant tone and fullness.
I saw the video showing the comparison between the hardware and software. I agree that the hardware sounded better in the A/B test. But honestly, for me it is irrelevant. There is no question that my masters sound better with this plugin than without. The resulting beauty is epic and not something I am willing to omit.
I am very fond of Dual Mono mode but...
Request: LINK L/R CONTROLS PLEASE!
G. Di
Very nice!
Demo version started 3h ago, first test on the master bus of a contemporary jazz (acoustic piano trio) session. Was good at first hearing! Same work: switching off the master bus and bouncing tracks.
Opening mastering session and starting work on, bounced audio seems to be glued: smooth and fat, highly defined and dynamic, at the same time!
My ears are saying: "great machine: 5 stars!"
Tested with:
MacBook Retina Mid 2012,
Cubase 6.5
Ua Apollo,
Dynaudio BM6A
C. Martins
Impossible to sound bad!
From the clearest and high fidelity sound to the dirtiest and agressive vibe...This plugin fills my day with confidence in the goals i want to achieve.Wonderful piece of gear gentlemen.UA, blind trust in your brand.
D. D
UAD strikes again
Wow amazing!! Again!!! #1 plugins of choice...
Looking forward to test it.
J. Williams
very very nice
A great addition to the UAD arsenal. Upon downloading I revisited the mixes I currently working on and the results are fantastic. I can tell you this unit is unique and will add "that" sound to your work with ease. For hip hop and rap it and a thick bulbous bottom end while solidifying the entire frequency range. Its very close to the hardware. Great Job!
C. Ross
Come out from the shadow
Hi all
I've used the hardware version on only a few projects (only purchased one a month ago) and used it mainly for mastering. The plug in is so close to the original, switching between both in the studio, in most cases it hard to tell the difference. I'm using it on the 14 day trial and no doubt Universal Audio will have an introductory price soon so someone like myself who travels a lot will have access to it on my apple laptop. I couldn't wait to try it on a track i mastered a couple of weeks ago where i had the hardware Manley Massive Passive into the Shadow Hill Compressor into a Ampex ATR102 out into the brickwall of a system 6000. Well I've done the same with the UAD-2 plugins and OMG... AMAZING. BUY IT!!