UAD Mix Edition
User-Rezensionen
UAD Mix Edition
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G. Gonzalez
This is a "Must Have" for Voice Over
As a VO actor, I can't be happier with this plugins. They are the secret weapon in my chain to make tracks really shine. If you have a good microphone, use the Neve Unison Preamp, an 1176 (Ratio at 4:1, Attack at 3, and Release at 7) and then the Silver or Gray Teletronix with peak and gain knobs set in a way that the needle moves between -3 and -5 and you hardly must do anything else to your VO recordings.
j. mccullough
Just enough
I used this plugin for the first time today on my minimoog and it added just the right amount of modulation to sit the sound in my track.
B. Schimmel
I was skeptical about this plug-in …
… not being a model of an actual analog device but I totally changed my mind. After a few hours in demo mode I think this will be my new default for tracking all the time. It really suits my voice better than anything else before and takes of the edge a bit ;). I also did one of my best acoustic guitar recordings yesterday. EQ and comp are a no-brainer and keep you from fiddling knobs instead of doing music. Absolutely intuitive, absolutely great sounding.
B. Schimmel
I was skeptical about this plug-in …
… not being a model of an actual analog device but I totally changed my mind. After a few hours in demo mode I think this will be my new default for tracking all the time. It really suits my voice better than anything else and takes of the edge a bit ;). EQ and comp are a no brainer
T. Drake
Workhorse
With relatively low DSP usage and myriad tools available, this plugin has been my goto for most applications where I don’t want to hear the channel strip. The preamp provides clean gain and when it starts to saturate, it provide them right grit to bring our harmonics. Besides drums, I use this on banjo, harp, cello, uke, fiddle, ... Easily the best gate in the collection.
C. SCHLOSSER
request
a lot of my musical freinds, and me!, would like to read the manual of your apollo and plug in in FENCH . but so happy to work with UA!
in french: cordialement
Carl
M. Vliegen
Wa wa wa wa
It's the real thing thing thing thing,,,,,
M. Vliegen
Feedback
In feedback it's wow
J. Fuertez
Lexicon 224
Reverb it all the way. Easy to use
J. Fuertez
Lexicon 224
Reverb it all the way. Easy to use
J. Beck
3D Detail For Days!
Really unique reverb. I got very lucky and UAD gave it to me for free when I bought one of the new Apollo X series, and wow ... I use it in every project now. The level of depth, detail, and color is unlike anything I've heard from a digital reverb. I also have the EMT 140 plug-in and that thing is amazing, but I think the is even better! The "Depth" function is an indispensable tool for anyone who wants to immediately shoot something to the back of the mix, especially if you put it directly on the channel.
J. Beck
3D Detail For Days!
Really unique reverb. I got very lucky and UAD gave it to me for free when I bought one of the new Apollo X series, and wow ... I use it in every project now. The level of depth, detail, and color is unlike anything I've heard from a digital reverb. I also have the EMT 140 plug-in and that thing is amazing, but I think the is even better! The "Depth" function is an indispensable tool for anyone who wants to immediately shoot something to the back of the mix, especially if you put it directly on the channel.
A. Vella
Lexicon bomb
The best easy controllable reverb I used since now !
M. Marton
Nice surprise!
I'm typically not a fan of software effects. They just don't resonate with me for some reason. I always find I'm happier with subtle tweaks to my guitar sound and just playing but I've really enjoyed using the Brigade Chorus on tracks. I think my favorite is duplicating a bass track and putting the B Chorus on the 2nd track mixing it in low with the original. Very subtle but really nice.
M. Marton
They sound good
I know it's not a glowing report but to be fair, I'm still getting used to using Pultec type EQs. I like that the Mkii of these has more "weight" and dimension to my ears when used on a track.
M. Marton
I love this reverb!
I still can't get over how good the medium hall is on the 224. Haven't even tried many other settings. It's now a permanent send bus on every mix template I set up.
A. Jones
SOLID!
Whenever I want to get in a quick SOLID mix, this is my go to plug. Place an instance across all tracks and go. Great pre-amp with solid EQ and compressor! Easy to use. GREAT PLUG!
S. Simmons
API 2500 Bus Compressor
The API 2500 has so many other features, aside from hi-end compression. I use this on drum mixes, acoustic everything, and mastering. The color and the characteristics of the audio/compression are jaw dropping, this became one of my go-to compressors. The ability to shape the audio with additional controls aside from typical compression controls make the API 2500 a surgical device, for sculpting audio.
F. Batiste III
Simply & Sonically Brilliant
Delicious saturation, excellent compression, and an EQ that is very easy on the ears makes this a feat in simplicity. Not to mention the GUI is eye candy.
M. Hatfield
Great reverb delay plugin!
This is a really great plugin with lots of options and customization. Also adds a nice tape warmth. Go give it a try!