UAD Mix Edition
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UAD Mix Edition
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L. Herve
sounds very good but need MIDI
I love the sound of this plug with clean guitars, you're immediately transported into the 80's.
But...
When pedals where created, the main interest was to keep the hands of the player for playing, and to use the feet for changing the sounds. This plug needs an update with MIDI mapping to able the footswitching of the bypass and the effect type.
A Dry/Wet pot should be a thing too.
J. Ciero
Amazing
For vocal bus. Amazing
J. Ciero
Amazing
Vocal!!! Amazing
h. YU
최고!
나는 빈티지 스럽고 아날로그 적인 사운드를 찾기 위해 정말 많은 노력을 해왔다.
이 플러그인을 알게되고, 내가 왜 좀더 빨리 데모를 써보지 않았을까? 생각했다.
패드, 신스, 기타, 베이스 모두 어울리고 모두 내가 원하는 굉장한 사운드를 들려준다.
최고다! 최고!
L. Zechinato
Couldn't be happier
Pure Plate is the kind of reverb I hoped would be released on the UAD-2 platform someday. It is extremely simple to use, and it comes with great factory presets as starting points.
I bought the PPR plugin only a couple weeks ago. So, I don't have a lot of stories to tell about it, but wo instances stand out:
(1) Mixing a Logic project where the artist had recorded his B3 organ part entirely on the left side of a stereo track. I put an instance of Pure Plate Reverb on that track, picked a factory preset, then tweaked it to taste. Perfect! It created the perfect amount of sonic ambience within the rest of the stereo field, which made that track sound asewsome.
(2) The other was when I was tracking vocals -- and then later putting it on the vocal bus during mixing. The PPR has all the vibey goodness of a great plate reverb, by exhibiting a sort of natural "ducking" that stays out of the way, and doesn't muddy-up consonants, plosives, and other transients.
So, I'm a huge fan.
S. Gough
No-Nonsense Tape
Probably the easiest to set and forget of the UAD tape machine plugins. Less controls but still adds the tape flavor with the important parameters to tweak.
S. Gough
Long, Rich Tails
Great for the long decay reverb applications. Feels like the original unit. Versatile controls. Used it on vocals and drums so far. Great results so far.
S. Gough
Adds the Tape Flavor Well
Gives character to a sterile-sounding mix. Used it in a mastering situation to add a little bit of that tape saturation/natural compression. Tracking to it gives your tracks that gushy-tapey feel. Very tweakable.
S. Gough
Excellent on Drum Buss
Has a really nice spank to it. Makes drums pop. Does something similar to the Zener Limiter. Very versatile
S. Gough
Snappy Drums
Great preamp for capturing quick transients. EQ is clean and useful. My favorite use is on drum tracks. Overheads and rooms specifically.
.
What a Reverb!
This is a true Enrichment in my Setup. Snare and Vocals are kissed by the Possibilities of this Plugin. It's Massive.
m. hardy
King of rap vocals
So much body to this pre. Even with cheap mica
E. Wilmot
Chunky
I love this thing. Big and thick and warm. More beef than jerky!
.
Galaxy out of this world
This is a plug in that works on so many different tracks. Vocals, guitar, effects... Just great... easy to use and control !
W. Plummer
By far the best digital version of the API 2500
I have been a close friend of Paul Wolff since working at The Bayou in Georgetown D.C. in 1978 where he was the house engineer. I became the second FOH guy shortly thereafter.
He built custom devices in the FOH console including the Flanger/Doubler that Softube is doing a digital version of these days (UA..please add this to your product list soon.)
I bought a prototype 2500 from Paul right after he made one for a few old friends of his. It was a magic box for me. I stopped using the SSL Buss Comp on the 8000GB console I worked on daily once I bought my 2500.
The 2500 prototypes (maybe 12 were made) and the following production versions are wonderful pieces of hardware. I never found a digital version that came close until the UA version. If UA were to ask Paul about the changes between the proto and the production versions, it would be a great update to add onto the 2500. If not, the existing 2500 is a steal just as it is.
L. Kenward
Workhorse
Just about every software company has made a version of this unit for the last 15+ years. Having recently discovered UAD the LA2 was one of the first things I tried and it's a proof of concept, this sounds as good as any compressor you can find.
D. Kim
MUST HAVE Item!!
Although I am a kind of novice for music, I can feel the improvement of the sound. This helps me a lot in mixing. You have to try!!
L. Swiercz
Easy to use and instant warm sound
this one of the best tape saturation i ever use, not only it sounds great its very easy to use and its low dsp, low latency plugin, i will recommend it to everyone who wants to get that nice warm sound
T. Stoddart
Great Substitute For Tracking With Chorus Pedals
I find this is a a great substitute for tracking guitar with chorus (which I find tends to sound small and confined when recorded through a pedal into a mic'd amp). It does everything from wet 80s chorus to 90s Nirvana-esque grunge chorus, although I wish the vibrato and chorus could be used simultaneously instead of as an either-or thing. Overall, a good plugin and it should take care of most if not all of your guitar chorus needs
P. Perfetto
Huge sounding
These are a great set of tools for getting analog warmth and color to your parts of your song. The silver is my favorite, with the modern tone and clarity. Its worth it, I use these in every session for mixing. I highly recommend getting this collection.