UAD Mix Edition
User-Rezensionen
UAD Mix Edition
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J. Bernstein
Oxide - Excellent
Easy to use, great sounds. I like to drive the input and back off the output so it's running close to unity gain. Great on bass DI track to add some color and life. Plan on using this plugin a lot in the future!
M. Coy
Brings freshness to most things
This reverb is smooth and complex, but the controls are simple to play with. I'm still learning about where to use it best, because it does use up a lot of processor, but I like what I hear a lot. Thanks for the amazing tool!
F. Batiste III
Silky
As soon as I instantiated UADs API Vision channel strip and started EQing. It was like riding in a brand new Mercedes Benz for the first time. This plugin represents the best mankind has to offer as far as analog hardware emulations are concerned IMHO. The sound is just as good as it gets in software.
J. Valo
Excellent all-around compressor
The compressor has a nice smooth character and it can make drums pop in great way. Due to its heavy coloration the mix knob is an wonderful addition and makes the compressor highly usable in the master bus. Guitars, vocals, synths, drums, bass, it basicly works with everything if you just like the character of the compression. Highly recommended.
l. crosby
It Just Works !
tried messing with some other delays by other software manufacturers and this just has a sense of space about it that i couldn't instantly get from some others ,no messing about ,time saver
l. crosby
It Just Works !
tried messing with some other delays by other software manufacturers and this just has a sense of space about it that i couldn't instantly get from some others ,no messing about ,time saver
F. Batiste III
A Classic, A Teaching Tool, and A Masterpiece
These compressors/limiters make it very easy to dial in the perfect settings for a wide array of instruments, synthetic and acoustic. And it's because of UADs 1176s and LA2As that I have become more proficient in using compressors. If I were going to teach someone how to use a compressor/limiter, I would use the 1176 or LA2A.
s. fridburg
Studio D Chorus
I use it for bass and vocals in the mix, and get very good results!
s. fridburg
Galaxy Tape Echo
For many and in many cases I use this plugin
s. fridburg
1176 Classic Limiter Collection
Very good plugin
D. Torgersbraten
Great for thickness
This plugin is best used across all tracks. This adds subtle harmonics and a sweet thickness across the whole track. Much cheaper than the other tape emulators and just as good imo.
c. walraven
it is amazing!!!
The interaction of the SC in the filters are perfect. the sound is incredible.
j. trammell
Exceptional Plugin
I love this plugin. I keep finding new ways to use it. I'm not sure how, but it just makes things have a new depth to them and sound more real.
O. Sroubek
Great collection!
Recently switched to UAD and I've been impressed with the quality of the plugins. This group gives you that analog feel that seems to be missing in so many emulations.
P. Blevins
sold my pedal
close enough for me. great emu of the real deal.
P. Blevins
one of my favs.
just as awesome as the roland branded plug. i use this one everywhere.
P. Blevins
I love it
just as awesome as the roland branded plug.
J. White
Smooth operator
The LA-2 Grey is my go-to smooth vocal compressor. Combining this with a more aggressive 1176 in a chain really makes a voice sound top dollar. But it isn't just the compression characteristic that I love, it's also the subtle harmonic distortion (tube emulation) that this plugin provides; no others I have used manage to achieve that!
J. White
Smoooooooth
People complain about the low frequency hump, but that is what you would expect from tape! The low frequency 'hump' slightly tames the high frequencies and adds a smooth bottom to anything you feel is lacking those characteristics!
J. White
Oooooh shiny!
How can an EQ add shine to something and keep it lovely and warm at the same time? For me I use this for vocal sweetening, full mix broad range top end boosts, and low end boosts on drums and bass. Adding 16khz at a broad boost and attenuating at 10khz by a few decibels really does do magical things to a vocal.