UAD Mix Edition
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UAD Mix Edition
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A. McCarthy
Could anything possibly compare?
The Teletronix LA-2A Grey, might be the most important plugin in any of my mixes. I use it on Bass, Lead Vocals and Acoustic Guitars. It is also an important part of my Sub Master Bus (transformer only). For lead vocals it is amazing. Applied at the end of your Lead Vocal compression chain, the LA2A Grey could well spell the end of riding vocals. Its ability to transparently reduce the dynamic range of material without it being noticeable is amazing. A breathtaking plugin at worst. It is without question one of my most prized UAD plugins and an essential tool in any serious engineers arsenal.
S. Goodison
An essential.
My first taste of aftermarket compression was the W****s CLA-2A and 76, and I used those bad boys on everything. When I invested in UAD my perceptions changed radically. These weren't just compressors, they were a way of life. My UAD 76 units went on everything in my mixes, and unfortunately my UAD LA2A's felt a little neglected. Until recently when I started making them my go to buss compressors. The grey on drum bus with it's medium speed, or LA-2 on the slower numbers make the whole drum sound for me. The silver's fast timing it great on bass/electric guitars. You can buy now, go an' try - you can pay me next week.
.
outstanding reverbs!
I learned mixing with berklee online and everybody got super crazy about my reverbs - always! All I ever used was the 224 for halls, chambers and plates, as well as the oceanway plugin for rooms and small halls. This combination is killer! I mean what else do you need?
.
It´s on!
Very good plugin! I use it on drums, guitars, vocal, bass... I really love to smack my snare with this as parallel compressor! Each time I use it, I like it more. I found myself turning it on and loving the tonal character, even when it isn´t compressing!
The three versions really make sense. You´ll get used to them, the longer you have the plugs in use, but won´t make any mistake in the meantime, as they all sound awesome.
I´m having them almost constantly on my vocals!
D. Hedin
If you only had one plugin...
You could make an entire record with just this one plugin! First of all, the preamp on this thing...WOW. Slap it on a kick drum, turn up the preamp until it just touches the yellow, and the kick will just slam through the speakers and hit you in the chest. Truly remarkable - they nailed the API sound!
Also, it's the fastest gate I've ever heard in my life, which makes it superior on drums. This plug is a little hefty on CPU, but it's so worth it!
D. Hedin
The Magic Box!
There's something just so special about this LA-2A collection. Two knobs...tone for DAYS! Usually I just set it when tracking through my Apollo to take off 1-2db of GR, just kissing the needle to catch those peaks. Oh man - absolute butter! Can't live without these plugs!
N. Nowottny
F%&king incredible!!
A twist here, a twist there, no harshness and everything starts sounding expensive in a human way. I was looking for a Pultec Style Hardware on ebay, now I'm looking for more dsp power. ;) Like it better than the Massive Passive. Thank you UA!! x ;)
A. Link
So useful for tracking
This is probably the only plugin I really need when tracking vocals. Reverb is nice but not always necessary, but a little LA2A compression with barely any latency is ALWAYS a good thing.
N. Dranov
Competes with other great plugins - and only wins partially
Preamp and gate gets the most use when I use this plug - and that hasn't yet happened a lot. Pre for grit when Unison-recording non-processed (input 1) / processed (aux) guitar or bass and gate for e.g. drums with a lot of bleed. Both are great! Esp. the gate, messed with it and wum! - suddenly no metal in skin mic's. But when it comes to hi/lo passes, comp and eq I seem to choose 'dedicated' plugs, ie. native logic/cambridge, the 1176-/670-/la2a/-collections and bx v2/massive passive/trident. Why? Maybe the API can't match these. Maybe I just like to USE my other great plugs. When I got the API I thought I'd do API-only-mixes, but not yet. 'Till that day - where the API may shine - I guess I turned out not a channel-strip-only kind of guy.
B. Albrecht
Just perfect!
Just perfect as the "original" hardware unit - i am using both every day and it's just amazing - Thank you for this amazing-sounding emulation!
I. Papagiannidis
warm /vintage sound!
great sound ! so warm and vintage! great tool! much better than the previous version!!
.
Amazing collection
I tested a lot of compressor plugins but this collection is absolutely amazing! You can use these compressors for every kind of stuff and it sounds always awesome. I use them for a few months now and in every project. Great job UAD!
C. Huber
fantastico
this is my goto channelstrip.. its very easy to use and very intuative and it does sound spectacular.
the only thing i dislike is the stepped EQ section, i understand its the original emulation, but i would love if they make an alternative version with a non-stepped EQ, this would make it so much more versaitle.
N. Dranov
Easy use + great results = LA2A collection
Well, I bought it and love it. I think everything has already been said in other reviews, but I'd just like to second that: Easy to use and easy to get great sounding results - I really like the serial 1176+LA comp 'trick' on vocals and the LA's on bass, overheads and synth/strings.
M. Lara
Ideal for parallel compression
I really like to use 1176 to overcompress a send, I get extra loudness!
V. Azevedo
The Sound of Music
My main reason for buying a UAD card.
I remember when I was mixing the CD from my old band and, as much as I seek in Eqs that shining cymbals and the resonance of drums, and the bass presence as in my analog references, something was still missing.
After I sent my CD to the mastering, I did received my UAD and a A800 plugin.
Just one insert into the Drum Bus and anoter into Bass Bus.
All that I've searched during all Mixing time was there, at those two reels, to bring to digital domain all the harmonics and sonic sense of What we know as Music.
Today I use it also to my Mastering services, especialy to mix without this sound.
Try all the combinations of tapes and speeds to get the best result for you.
Vinnie Azevedo
Kinema Music Studio
E. Ströer
Memories are made of this
I have worked with the hardware for many years, it is still in my ears - and in my fingers, concerning the workflow. When I first tried the plug in, it was like tasting Prousts Madeleine. I immediately recognized the distinctive, noble sound of the Lexicon 224. It is like an instrument on its own. You don't just type in some values - you play with it, with the faders, in a very musical way. And, thanks to the digital domain, without (or even with, if you really want to go old school) the noise of the hardware. Incredible.
Thanks to you people at UAD for preserving the greatest achievements in sound and breathing new life into them. It keeps the palette rich and full of colours.
J. Rutter
LUSH!
This is by far one of the best emu reverbs on the market, great work UA
.
One of the best plugins!
The API Vision Channel Strip Plug-In is surely one of the best plugins I've ever used. I use it often for mastering and it gives the whole track such a warm touch which I can't describe really. You have to experience it on your own to get what I mean. Everything in it is really great but what I like the most are the EQs. I am really impressed and wanna thank UAD for this great plugin.
I can only recommend to everybody to try this great plugin out. You will be fascinated!
G. Kovács
Different characters for many purposes
My favourite compressor family with different characters and it is really for almost everything in your mix.