UAD Producer Edition
User-Rezensionen
UAD Producer Edition
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K. Hershman
Rev E
I have 4 Rev E's next to me every day at the studio but I constantly reach for this. The weight these add to a vocal or drum sounds so close to the hardware unit
J. Steen
Smooth and simple controls
Glad I purchased this reverb. Simple interface with very full, smooth, warm and creamy reverb.
M. Manweiler
I wish it was less sensitive
I enjoy the sound but I feel like it could be easier to fine tune
T. Chaz
Lost pleasure, found again
I've never been quite satisfied with chorus plugins before. Always went back to my pedals when it was time to use one. For the first time, my Boss are staying on the shelf, and I find the same pleasing and ever modulating sound character in this Brigade Chorus.
Plus, just as the original, it's two effects in one, and both the Vibrato and the Chorus are superb, no matter if dialed all the way to extreme settings or more reasonable ones.
s. fujimoto
Let's fit analog equipment
One and only chorus
s. fujimoto
Gentle reverb
I think it's better for instruments than vocals
T. Chaz
Reverb - As precise and organic as it should be
I was lucky enough to get this one as part of a promotion package.
Admittedly, otherwise, I maybe wouldn't have considered it, thinking "oh well, I already have Plates, and UAD has such a vast Reverbs choice to offer". What a shame that would have been...
This reverb is a gem. To put it simply, it just works. And isn't that what a reverb's job should be? Be it for tracking, or mixing, it just sounds good, with a pleasing simplicity.
I love it on vocals and guitar, but I'm pretty confident it's far from being limited to those sources.
On top of all that, its DSP usage is very decent, and so it makes it a great choice for DSP hungry sessions.
Great piece of effect for your arsenal.
O. Di Dio
My favourite plate
It sounds amazing on guitars and incredible on vocals. I use it 99% of the time!
D. Tosi
Simple
Easy to use sounds great!
S. Simons
Amazing Oxide Warmth!!
The simplicity, and depth of character you get from adjusting very few parameters is stunning. I use the Oxide plug on voiceovers to ad depth to the voice as part of a VO chain that cuts through a commercial productions. This plug in ads heft without mud. Wow, This plugin does really special things to my VO work!
R. Pellegrini
One of my favourite reverb at all!!
Really good reverb on acoustic instruments!
J. Romero
Quality
Amazing i love it!!!
K. Kessler
Great!
Back before I had any UAD, I had to use up to 5/6 different reverbs across the mix - now I can just put this Pure Plate as general reverb and it does the job very very well! Could use it on every possible source of sound.
C. Parker
That sound you’ve been looking for
Ever felt like your recorded vocals were missing something? Well that ‘something’ is the Teletronix LA-2A.
Being a diy musician is tough but with having the LA-2A, you can relieve some of the stresses that are often found during the mixing process. It provides a smooth and warm characteristic to the vocals giving you that ‘Radio Ready’ sound that
you’ve been looking for.
D. Formula
Welcome to classic compression/limiting
Remarkably faithful recreation of these beautiful and characteristic units.
E. Bureau
Upgrade to the pro!
I've been using the legacy version for some time and really liking it, especially on vocals. The updated version sounds way way better than the legacy version. I demoed it for vocal recordings, and first thing that hit me was how 'classic' a sound that was. Instant buy after that. Exactly how it should sound, and how I recognize it from countless 60s records. I was running a U67 into the Neve Preamp plugin, then into the Teletronix and then on tape, committing everything on the way in. You're never afraid to commit to a certain sound, when it sounds so classic! It's also great on acoustic guitars. Between this the Fairchild 670/660, and tape-compression, I don't think that I will ever need another compressor.
E. Bureau
Upgrade to the pro!
I've been using the legacy version for some time and really liking it, especially on vocals. The updated version sounds way way better than the legacy version. I demoed it for vocal recordings, and first thing that hit me was how 'classic' a sound that was. Instant buy after that. Exactly how it should sound, and how I recognize it from countless 60s records. I was running a U67 into the Neve Preamp plugin, then into the Teletronix and then on tape, committing everything on the way in. You're never afraid to commit to a certain sound, when it sounds so classic! It's also great on acoustic guitars. Between this the Fairchild 670/660, and tape-compression, I don't think that I will ever need another compressor.
E. Bureau
Upgrade to pro!
This plugin is a no-brainer. The legacy version has pretty much become my go-to EQ since I started on the UAD platform. Super musical and creative but at the same time easy to work with. I recently upgraded to the pro version, and the difference is really substantial. It really sounds great on anything. If I want the EQ to give less 'color' to the source, I sometimes still use the Legacy-version (or a different EQ). But usually the pro version is an improvement to what-ever is fed into it. The added output-gain is super useful for gain-staging between the plugins and the addition low/high cut-off filter plugin is also really helpful, and I end up using it surprisingly often.
K. Olechowski
Definitely worth the money
Great for treating acoustic instruments/vocals. For long-tail type of reverb (i.e. sound design/ambient/cinematic stuff etc.) it might be not always your first choice but it will certainly bring a beautifully and organically sounding space to your live recordings.
L. Rushton
Not sure where I'd use it
I haven't played around with it too much, so far. With what I've done, I think it may have some potential, but I'm a bit lost at the moment to see where to get it into operation.