UAD Signature Edition
User-Rezensionen
UAD Signature Edition
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D. Grossman
wow!
UA has changed my life in so many ways....But if I had to pick one plugin that has LITERALLY been a game changer...the Pultec. I am fairly new to professional level mixing and mastering...I loop my djembe live ....pretty much everyone agrees that getting the low end is one of the hardest aspects of pro audio mixing....I was stymied and have been for years how to capture my djembe drum. I had everything sphere microphone and 76 UA plugins but it wasn't until I discovered the "Pultec Trick" on the low end that my life got so much easier! Look it up....boost the low end and attenuate at the same time....really shapes the sound!
M. Capitani
Excellent Plugins From UAD Yet Again
I love these compressors. They are sophisticated in their design in the way that they give your tracks punch and presence at moderate input levels but sound smooth and forgiving without that harsh dead sound unlike a number of other emulations and digital compressors out there.
My favourite use is putting the 1176 RevA on the drum bus following a good dose of saturation to tighten things up and recover transients. In addition, that distinctive pumping warmth you get on kick drums when you increase the gain is too good. I A/B’d this with a straight volume increase and no compression to make sure I wasn’t fooling myself and started to quickly grab my wallet for my bank card. You got me again UAD. Great work
R. Walsh
Adds Thump
Nothing is as important in pop and rock mixes as the kick and bass working together to drive the beat. The DBX works so often to make this really happen. Nothing is right a hundred percent of the time. I still start with the 160 on my kick and bass then go from there. You will be right much more often than wrong. It can also smash a acoustic so it can be pulled to the front of a mix. While I am sure it has dozens of other things it does well. However, the three I listed make the DBX 160 a must have.
R. Walsh
Adds Thump
Nothing is as important in pop and rock mixes as the kick and bass working together to drive the beat. The DBX works so often to make this really happen. Nothing is right a hundred percent of the time. I still start with the 160 on my kick and bass then go from there. You will be right much more often than wrong. It can also smash a acoustic so it can be pulled to the front of a mix. While I am sure it has dozens of other things it does well. However, the three I listed make the DBX 160 a must have.
R. Neville
I love it!
This one is probably my favourite reverb that I own from uad so far.
R. Neville
Owned the hardware
Sounds pretty identical to the actual hardware unit.
E. Wells
Forgot what I was missing
I sold my BOSS CE-1 years ago because I wasn't using it much.
Didn't take long with this plugin to remind me why I purchased it originally plus the plugin allows easier routing so you can use it on things that the original pedal didn't work well with.
Really glad to have this chorus back at my disposal.
H. Mahdavian
Excellent
One of the best and most colorful plug-ins of universal audio. I always use this plug-in in my mixes and it’s incredible on my instruments: Tar, Setar and Oud (Iranian Instruments)
C. Uquillas
Excellent
Great plugin !
T. Baize
Capitol Chambers GOOD!
GOOD!
e. sanchez
Excelent
Es excelente suena muy parecido al hardware. Ideal para poner en la entrada y grabar con la calidad y sonido final
N. Thiện
Century Tube
Verry Good
K. Frost
Capitol Chambers where history was made.
Presets offer good starting points. The controls are not hard to understand and make it easy to fine tune. It definitely has a lushness to it. I have only had it a short time, I did put it on some tracks that I am currently working on. On some tracks it was “what was missing”. On others it was good, but not much better than what I was already using on other tracks. Just like 480, it has its place, like all the reverbs do.
I did find a great blend with Vocals on Capitol Chambers and Acoustic guitar fed to the Cooper Time Cube, the “space” that each offers blended well together on that mix. Hope that made sense. Anyway as I am learning there is “no” one stop shop in this craft. Take time learn the plugins you have, read the manuals, they really help, then you turns knobs with understanding and use your ears.
B. Jung
Outstanding
Capital Chambers is the best and most natural sounding reverb I know. I use ist for guitar, and there is nothing better on the market. It beats every reverb beginning from Strymon to Eventide to Lexicon... There is no latency with Apollo, so I can use it live. Outstanding !!!
s. jerry
Fais le job
Je cherchais le son compas, je savais qu’avec la Brigade j’allais l’obtenir.
M. Hautala
Perfect for vocals
The LA-2A is a classic compressor on vocals. It really makes the vocals even without crushing it. My to-go-to vocal compressor.
M. Hautala
Best compressor I know
The 1176 is a MUST on my rap-vocals! It really controls the dynamics of the vocals and makes it sound even. A fantastic element in my main vocal chain.
R. CHINGA
Recomendado 100%
He notado que al agregar el Studer A800 , se logra una mayor pureza en el sonido que has recogido. Recomiendo usar tus oídos para que logres tus preferencias de como quieres que suene tus mezclas
D. Plohovich
Secret Sauce
Forget about The Drip. This is your secret sauce!
J. Bailey
Classic for a reason.
This sounds great! Very Lush, realistic, and analog flavored.