UAD Signature Edition
User-Rezensionen
UAD Signature Edition
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P. Jacobsson
Wow!
These tube compressors are just amazing. I use it on bass, drums, guitars etc - sounds great.
R. Melo
Perfect
Love it
P. Räisänen
Legendary compressor
Fairchild compressor will give your drums, guitars, bass and vocals the legendary sound used by Beatles and other great artists. The sound is unmatched by any other compressor and will give your tracks the grit it needs!
G. Yarber
Avalon comes close
A very nice plug-in!
I have the hardware version so I did a comparison. The biggest difference I noticed was the output from the hardware version had quit a noticeable bit more than the plug-in version. On the plug-in I had the output all the way up with the same settings to get the same levels. They do sound pretty close, but I do like the hardware version a little better. I do love having multiple units when I need more than one so that makes it worth the purchase if you truly love this unit.
S. Safiullin
Must Have!
Wonderful equalizer! I like to use it both on the master bus and on group channels! From vocal groups to drums and more. I recommend it!
R. Dickerson
Classic must-have
What's not to love about these? Sonically pleasing, and have been used on nearly everything. Easy to use and to achieve great results!
R. Dickerson
Gentle giant
Very capable EQ and not too harsh. Takes a bit to learn, but read the manual or watch some videos- it's totally worth it!
G. Claggett
Very nice sounds--Very resource intensive
The sounds of the piano are on par with my Nord piano sounds so I am very happy with that aspect of Ravel. When I load the plugin into a mix it runs the Render meter into the red and sounds cut out. So, I have to export the piano track to audio and pull that back into the mix and disable the Ravel plugin to avoid the piano sound cutting out. Hopefully, UA will find a way to make the plugin a little more efficient to make it more functional.
J. Zwiebel
Standard Tool
You're going to use it at least twice in every song.
J. Zwiebel
Big Difference
I get a much more satisfying sound from the first second of tracking vocals and instruments, thanks to the Unison feature.
J. Zwiebel
Great Sound
I have immediately received great feedback from customers who adore the 80s-character of the Chorus Pedal.
Y. Baribeau
Classic of the classics
This baby right here is a treat for the hear. Tube Equalizer...... do I need to say more?
Y. Baribeau
A beauty
Are you looking for a bass tone? Well you are not anymore!
Z. Mo
Rich tone
Warm', rich , accurate tone ... didn t expected to love this but i do , can be used for anything , don t let the gui design (pedal like the original ) fool you , try it everywhere !
R. Dickerson
Simple beauty
The beauty in this plugin is how great it sounds, and how simple it is to operate.
A. Thomas
Great delay. Interesting vibe verb. Pre-delay would be an awesome addition
I like this tape delay and especially the 3 different tape options, though I usually use “new”. It sounds different than the other tape delay and the cooper time cube, a more useable delay for most things imo - guitar, voice, keys, bgs. The verb on bgs is really cool too.
T. Hill
It is all that
I was really intrigued by this plug-in based on other online reviews, gave it a quick test, and bought it immediately. It's capable of making me sound like the great jazz vocalist Johnny Hartman, even though my voice is more in the Serge Gainesbourg / Kermit the Frog zone. And it works really well for tracking bass, too. Rich, clear, and really versatile, I'd say it's an essential plug-in.
Z. Mo
No Gimmick !!
OK the question everybody asks is : versus the Waves (witch is great by theway) BUT that said , waves is kinda vulgarous and exagerate the transient snap to mimick punch of the orginal HW : this leads to some cliky transient that are NOT here on the HW , thks to Transformers ... there come the UA one : Punch / body , without being vulgarous , and the timing is just on point , react like a HW simple as that .... MUST HAVE with the SSL G comp , the rest is bonus !!
A. Orr
That RCA Studio B Sound
If you need something a little warmer and bigger than the EMT140, this is a step in that direction. I probably overuse this in my own recordings which speaks to both my lack of talent and this plugins ability to make just about everything sound better. I’ve always admired the Chet Atkins / Elvis / Roy Orbison reverb sound that RCA had back in the 60’s and 70’s. I’ve been in that studio a number of times. I once asked one of the engineers to show me the reverb. He said, “It’s just a plate and a mic stuck up above the ceiling.” Pure Plate!
Á. Gústafsson
Truly Amazing
I´m blown away by this emulation!