UAD Signature Edition
User-Rezensionen
UAD Signature Edition
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D. Ironside
API 2500 Bus Compressor
What can i say.....it sounds great ! . Adds just the right amount of character .The mix button is the key. Love it.
J. Jones
I'm in love with this!
So I try my best to be skeptical before gushing over any plugin, but my goodness. What a sound on the LA-2A. When mixing, I believe everything should have a purpose, or don't use it. I wanted to beef up a string sound on my last mix and the LA-2A just made it jump, and sit much better. It was the exact feel I was going for. I haven't used this on vocals yet, but that's next. Excellent job with this.
T. Ajiteru
Awesome!
A secret source compressor, a must have if like me, the hardware version is way out of your budget.
P. FRATTINI
What a beast
I purchased it cause I was looking for a Unison plugin with a useful Noise Gate...and well...it delivered on many many notes.
The pre-amp is versatile and easy to use, the EQ is a killer and the Noise/Expander is a gem.
It works on so many sources, for so many scenarios that it helps me find alternatives to the SSL suite when I want a more transparent yet equally warm solution.
P. FRATTINI
Warm and simple.
Mixing and mastering in-the-box on an everyday basis has been more than challenging in many ways, for me. But thanks to this little gem, warming up tracks, groups or mixes has never been so simple, smooth and so immediate.
P. FRATTINI
Warm and simple.
Mixing and mastering in-the-box on an everyday basis has been more than challenging in many ways, for me. But thanks to this little gem, warming up tracks, groups or mixes has never been so simple, smooth and so immediate.
L. Roccatagliati
I'm using them everywhere
Tried on drum bus and its fantastic. Tried on kick and it's ace. Tried on synth bus and glue everything. Looking forward to use them on everything
C. Yang
It's for Vocal
I bought three preamperes, Manley, Avalon, and Neve, which make the deepest and most powerful sound of the three. I would recommend Manley if I choose among the three.
C. Yang
Capitol Chambers
It's a very moving machine.
I cried when I sang the song for the first time.
That's how touching it is.
C. Yang
Good Compresoor.
This is the best compressor I've ever bought this year.
moderate colouring and deep texture
C. Yang
Good sound
Very Similar to real gear.
good sound, clarity
L. Roccatagliati
Essential
I used Avalon both for mixing drums in a track, and also recording my flute... amazing versatility.
Love it!
F. Raxer
It’s a good gift sent by UA :)
Although I don’t use it frequently, it really give me a big surprise,I use it on some harmony or back up tracks，it really give me a enough width feeling!!(I’m Chinese so my expression is not very clearly
P. Woehl
Love the deesser!
Allows you vocals to shine without the harshness.
s. simmonds
Empirical labs
Good as
P. FRATTINI
The one and only.
I think I tried it on everything I could have think of. On inserts, while recording and mixing, I tried it on a mastering chain and I even tried it post-mastering. This is a one-of-a-kind tool, fitted for any and every studio. It polishes. It finishes. It fattens. It breathes life into mixes.
And the best part is that it doesn’t take a big load off your DSP. It is so useful, sometimes I can’t even remember how I used to work without it.
It takes a bit of understanding to get a real grasp of every possibilities, but it is easy to use.
You can’t go wrong with this one.
It will become a centerpiece of your chains in no time.
P. FRATTINI
The legend. The one and only.
From the day I tried the UAD hardware recreation to the day I acquired it with the Apollo x4, this unit changed the way I heard and processed dynamics.
It is warm. It is compact. It is transparent. It is colorful. It is everything. I just finished a master for some Hip-Hop project, it glued all the tracks together. I tracked all the basses for a Rock project with just the white face on the track, it helped bring authenticity and body to the drum/bass relationship. And I tracked basically all my vocals through it for the past 5 years, and it never disappoints.
It’s my go-to solution. It’s an everyday, every situation kind of tool.
If you don’t already have it, don’t think twice. Just get it.
P. FRATTINI
Impressive. A true all-timer.
So easy to use, so versatile and yet so unique.
Its use knows no limit, and this software emulation is a thing on its own.
Try on bass, it brings body to the performance. Try on vocals, just to make ´em shine. Try it on guitars, whether it’s clean, drenched in FXs or distorted to the roof, it will bring harmonics to the recording. Try it on drums, it glues any kit, any part. Heck, on full mixes, all the way to the mastering stage, this little gem will change your dynamic approach.
I love it. I use it. I can’t help it, it’s an all-time fave of mine...and countless others.
P. FRATTINI
A classy classic.
So versatile and so useful, this collection is fire.
So warm, so smooth, both transparent and colored.
Try it once, and you’ll never part ways with it.
The big plus : it sounds great on any sources, from input sources to full mixes. You gotta try it for various situations, in a slot of a chain. It can go a long way to tranform track or pulse life in a track. Love it.
P. FRATTINI
When classic meets infinite.
It’s a classical take on a versatile yet sometimes dated effect. But it delivers. That warm analogue feel to the effect, the smooth modulations and the simple GUI makes it a no brainer for a lot of situations. Easy to use for such complex modulations. A killer. A real useful tool. Cause it sounds great on a lot of sources.