UAD Signature Edition
User-Rezensionen
UAD Signature Edition
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J. Ciero
Amazing
Vocal!!! Amazing
E. Enger
Love it
Great channel strip that feels both non-traditional and yet intuitive. Loving the sounds I'm able to quickly dial in on vocals , guitars and synths especially.
h. YU
최고!
나는 빈티지 스럽고 아날로그 적인 사운드를 찾기 위해 정말 많은 노력을 해왔다.
이 플러그인을 알게되고, 내가 왜 좀더 빨리 데모를 써보지 않았을까? 생각했다.
패드, 신스, 기타, 베이스 모두 어울리고 모두 내가 원하는 굉장한 사운드를 들려준다.
최고다! 최고!
L. Zechinato
Couldn't be happier
Pure Plate is the kind of reverb I hoped would be released on the UAD-2 platform someday. It is extremely simple to use, and it comes with great factory presets as starting points.
I bought the PPR plugin only a couple weeks ago. So, I don't have a lot of stories to tell about it, but wo instances stand out:
(1) Mixing a Logic project where the artist had recorded his B3 organ part entirely on the left side of a stereo track. I put an instance of Pure Plate Reverb on that track, picked a factory preset, then tweaked it to taste. Perfect! It created the perfect amount of sonic ambience within the rest of the stereo field, which made that track sound asewsome.
(2) The other was when I was tracking vocals -- and then later putting it on the vocal bus during mixing. The PPR has all the vibey goodness of a great plate reverb, by exhibiting a sort of natural "ducking" that stays out of the way, and doesn't muddy-up consonants, plosives, and other transients.
So, I'm a huge fan.
S. Gough
Must Have
Awesome compressor for clamping down on spanky guitar parts. Also works well as the second compressor in a vocal chain to take off the top of the peaks. Feels like the original hardware.
S. Gough
No-Nonsense Tape
Probably the easiest to set and forget of the UAD tape machine plugins. Less controls but still adds the tape flavor with the important parameters to tweak.
S. Gough
Long, Rich Tails
Great for the long decay reverb applications. Feels like the original unit. Versatile controls. Used it on vocals and drums so far. Great results so far.
S. Gough
Adds the Tape Flavor Well
Gives character to a sterile-sounding mix. Used it in a mastering situation to add a little bit of that tape saturation/natural compression. Tracking to it gives your tracks that gushy-tapey feel. Very tweakable.
S. Gough
Super Smooth
Depends on the mic and voice you're using it with, but it can SANG when it's right. Does smooth, clean vocals very well. The mic level compressor before the preamp evens out the drive you get from the preamp. Very useful to smooth out dynamic performances.
S. Gough
Great Mastering EQ
I used this mastering some vinyl transfers. Very smooth and musical. Great for tone-shaping with enough flexibility for light surgical fixes.
S. Gough
Excellent on Drum Buss
Has a really nice spank to it. Makes drums pop. Does something similar to the Zener Limiter. Very versatile
S. Gough
Snappy Drums
Great preamp for capturing quick transients. EQ is clean and useful. My favorite use is on drum tracks. Overheads and rooms specifically.
.
What a Reverb!
This is a true Enrichment in my Setup. Snare and Vocals are kissed by the Possibilities of this Plugin. It's Massive.
E. Buckley
Tasty EQ
The UA Massive Passive does what its supposed to for a fraction of the hardware price! Highly recommended.
m. hardy
King of rap vocals
So much body to this pre. Even with cheap mica
E. Wilmot
Chunky
I love this thing. Big and thick and warm. More beef than jerky!
.
Galaxy out of this world
This is a plug in that works on so many different tracks. Vocals, guitar, effects... Just great... easy to use and control !
W. Plummer
By far the best digital version of the API 2500
I have been a close friend of Paul Wolff since working at The Bayou in Georgetown D.C. in 1978 where he was the house engineer. I became the second FOH guy shortly thereafter.
He built custom devices in the FOH console including the Flanger/Doubler that Softube is doing a digital version of these days (UA..please add this to your product list soon.)
I bought a prototype 2500 from Paul right after he made one for a few old friends of his. It was a magic box for me. I stopped using the SSL Buss Comp on the 8000GB console I worked on daily once I bought my 2500.
The 2500 prototypes (maybe 12 were made) and the following production versions are wonderful pieces of hardware. I never found a digital version that came close until the UA version. If UA were to ask Paul about the changes between the proto and the production versions, it would be a great update to add onto the 2500. If not, the existing 2500 is a steal just as it is.
L. Kenward
Workhorse
Just about every software company has made a version of this unit for the last 15+ years. Having recently discovered UAD the LA2 was one of the first things I tried and it's a proof of concept, this sounds as good as any compressor you can find.
D. Kim
MUST HAVE Item!!
Although I am a kind of novice for music, I can feel the improvement of the sound. This helps me a lot in mixing. You have to try!!