UAD Signature Edition
User-Rezensionen
UAD Signature Edition
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Silky Sound!
Previous Version is good. but automatically Increase Gain.
but this Version adds just some more Color. No adds gain.
Sounds SIlky. BUY!
J. Alberto
el mejor compresor para mi
fantastico compresor . cristalino . comprime sin perder lo natural del sonido
y si quieres le da un color tambien increible . no se puede pasar sin el
gracias universal audio .
C. Hoyer
The EQ
What can I say? This the EQ I use on all my most important tracks in every project I ever do. And often an instance on the master as well. This is perfect for the shaping and kneading to get a sound to have the right shape, right character. Very transparent. Love the parallel setup. Give it a bit of extra headroom if the magic isn't happening. Recommended.
P. Reeves
Even better than the original!
I thought the original was good, but like the 1176 and LA2A collection, they stepped it up again.
M. Williams
What can I say!!!
Really takes my music to the next level. Very smooth EQ, nothing harsh about it. Very transparent, a must have!!
S. Raistrick
Lexicon 224 sounds fantastic
This reverb plugin has been worth every penny, even in just the first few weeks of use. It's possible to create a rich array of reverberation sounds, from short and subtle to long, deep, and immersive. It is now my go-to reverb for monitoring -- and often for tracking -- my electric guitar. Although I have not had the opportunity to use the hardware version and make that comparison, I have used a number of high end hardware and software reverbs, and this one definitely shines among the group. It's been great as well for matching recorded ADR to appropriate spaces for film scenes, and for creative purposes in sound design.
S. Raistrick
Lexicon 224 sounds fantastic
This reverb plugin has been worth every penny, even in just the first few weeks of use. It's possible to create a rich array of reverberation sounds, from short and subtle to long, deep, and immersive. It is now my go-to reverb for monitoring -- and often for tracking -- my electric guitar. Although I have not had the opportunity to use the hardware version and make that comparison, I have used a number of high end hardware and software reverbs, and this one definitely shines among the group. It's been great as well for matching recorded ADR to appropriate spaces for film scenes, and for creative purposes in sound design.
M. Kellen
LA-2AmkII - amazing software
This is for the NEW mkII LA-2A (I really wish UA would separate the reviews as it really clouds people's opinions)
anyway...
amazing plugin. I A/B'd my hardware (old) LA-2A and tried to get the new plugins to cancel out with the hardware. just using the amplifier stages (no peak reduction) there was some cancellation but nowhere near 100%... not surprising though, different tubes, components, etc. there was a LOT of reduction though showing that the circuits are definitely similar and in the same family. Things got really interesting when I added compression. The emulations and my hardware track almost 99% the same, even up to 10db of reduction, the attack, release, etc. were nearly identical. Pretty impressive.
M. Kellen
dbx 160 - classic smack!
I love this compressor. Has that classic dbx smack on kick, snare, bass, etc. hope they give it the old mkII treatment soon (not because it's lacking anything - well, other than the GUI could be a bit bigger) but because it's one of my favorites and if were better... well, it would be better!
4 outta 5 as it's not the most versatile but I love it!
S. Hawkins
A Very Useful Tool. The Manley Massive Passive EQ
I use this unit when mastering but have occasionally used the stereo eq version on synth signals. For mastering I find the unit works best in the signal chain after a stereo equalizer which I use as a surgical tool to address problematic frequencies. This way, it functions as the cream on the cake, and it cetainly excels in that role. I really feel quite privileged to have such a high-end tool available to me at a fraction of the cost of a hardware unit. Simon Hawkins, Stockholm, Sweden.
J. Hall
Overall, UAD Ain't DMG
If you want the subtle harmonics ... ohhh and noise and aliasing (yeuk!) that is generated once you use a few instances of these plugins within your mix, then buy the Pultec Passive EQ Collection.
If you want the Pultecs without the noise, without the aliasing, without the frequency limitations, and packaged into a fully-customisable EQ with flawless sound and an amazing top end ... buy DMG's Equilibrium.
Then retire your UAD Millennia too...
A. Kotelnikov
LA-3A
LA-3A is a badbwoi tool! Badman ting! Me loving this ting.
D. Legendre
Well done UA!
I always loved the LA-2a, now I have tons of them and in different flavors!
Thanks UA!
F. Galvanelli
Awesome Reverb
For me Lexicon 224 is the best reverb ever! This plugin is like the original hardware.
P. Sommer
Finally!
At last my vocal tracks sound like I want them to. This plugin will go from subtle to extreme by a click of the mouse. It's fun just scrolling through the presets to see how the pros use it.
M. Penn
Teletronix® LA-3A Classic Audio Leveler Plug-In
Great on Vocals, Smash your synths and Bass, make it Grimmy and Agressive!! Love that Tone from this La-3A!!
M. Penn
Pultec Passive EQ Collection
If You Love Pultec EQ, You got to get this in your Daw, Warm, 3D, Smooth EQ. Nice Upgrade from the 1st version to MKII.
Gotta Love It!!
M. Penn
API Vision Channel Strip Plug-In
This Channel Strip is Awesome... UA hit this one the Head.. Thinking of selling my hardware this is so good and invest in another gear!!
Awesome Work UA Bring on the APi 2500!! :))
D. Brown
Lexicon 224
So much to learn, thank the gods for presets. Kool stuff. Real preview later.
B. Kim
the best opto compressor
legendary la2a
uad la2a is the best la2a
vocal flute violin violoncello viola
beeeeeeeeeeeeeeeeeeeeeeest sound