UAD Studio Edition
User-Rezensionen
UAD Studio Edition
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S. Hermansen
The High and Low cut filter
Funnily enough, as much as I enjoy the EQ's themselves, it's the high/low cut filter that I use the most.
It just sounds amazing, adding a bit of character, making things clearer in the mix, when taking away frequencies. Highly recommended, just for that!
The EQ's are amaxing too, of course.................
V. Gorbunov
V. Gorbunov
The sound is really amazing
R. Comitz
warm compression!!!
love itlove itlove itlove itlove itlove itlove itlove it
R. Comitz
reverb!!!!!!!!!
love itlove itlove itlove itlove itlove itlove itlove itlove itlove itlove itlove itlove itlove itlove itlove it
S. Dickie
Mojo machine.
Title says it all. I find myself using these compressors a lot on things where my other software compressors simply won't do. I am especially fond of the 660!
S. Swanson
A must have
Classic Compressor
Great plugin
To my ears superior to waves equivalent
I love it and use it a lot
R. Olivier
Chaosthetic Cosmos premastering
Sound engineer for CrossAngel:The album "Chaosthetic Cosmos" has been fully treated with UAD2 in 2014.
Neve 88RS channel strip for the mix then Studer A800, SPL TwinTube and Precision Equalizer for the premastering.
Effective tools that helped keep the analog sound throughout the project.Thanks!
R. Woitowitsch
Pultec delivers everytime
By adding the UAD Pultec HLF-3C has given my mixes a dimension they were lacking. I always had the conception of its delivery and now it's a reality! It is a gotta have piece of the puzzle.
J. Babb
Must have
Must get. Anybody that uses plugins must get.
M. Maranghello
Just great.
There is no secret here, this compressors are great! Very easy to use, and exceptional sound quality and transparency. Great for voices, piano, guitar, solo instruments. An absolute must.
L. Cacho (Justicestudios Corp.)
Cant mix with out it
I was kind of exepic because of the price, but is the best plug in my studio for tracking and mixing
100% recommended
j. king
Excellent plugins
These plugins are so good In every way,for both audio and software Instruments especially vocals it's best compressors and limiters that I think is in my opinion is the best of the best 10 out of 10 for all unaudio plugins I can't complain
loving it.
D. Giraud
Simple, complet, efficace
Salut
Autant que le fait de compresser ou limiter facilement le signal d'une piste , c'est pour moi la possibilité d'attribuer une touche sonore qui vient directement des modélisations du hardware et qui me plaisent. (au studio Golgoth 43 je possède les deux et j'ai pu donc comparer)
Pour du mix ça fait partie de ma trousse à outils.
Vous trouverez rapidement un intérêt esthétique à modifier les réglages d'attaque & de relâchement.
C. Letondu
Nice sounding reverb
One of best reverb i've heard for a while.
A lot better than waves reverb or any convolution reverb.
Soft, wide and very musical sound.
The large hall and room algorithms are my favorites.
A must have !
A. Sadat
Totally Awesome Plugins
Just try the demo. I like the Silver better than 1176s on vocals.
S. Roefs
CHARACTER
The old 1176 was among the best out there. Now there's even more to it! The three 1176's have very different characters, with more evident distortion characteristics than the old plugin. Tracks come to life with these beasts.
U. Kim
Brilliant!!!!
:):):)
Used the legacy collection, It was Great!!!
But now I've gotta FULL HOUSE!!!
One of the Best EQ!!! (Next to API & Neve EQs)
c. claycomb
Super Glue
This compressor is wonderful! On Vocals,Drums,Guitars ect.
Put this in your mastering chain and WOW!!!!
E. Oooka
Name machine! Great plug-ins！
Higher 1176, among the plug-in that was used up to now! Guitar, drums, percussion, etc., surprised all raise the texture. In it does not require equipment to worry about a simple, great comp to solve by switching to 1176, if any problems. Name machine! Great plug-ins.
D. Barrington
That Special Something
I'm on the fence about whether this isn't a bit too expensive. But if you wait for sales, it usually does come close to 1/2, which I think is how UAD models things.
The PROs are the variety you can get from these algorithms add something to vocals that I've not been able to get with other reverb units. There is something there that sparkles, and I can't put a finger on it. You have to tame the mix, as the full up mix or settings is overkill, but pull it back to where it's barely there and your track jumps out in the mix. Since i never had the original, can't speak to it's authenticity. But I can speak to it's usability.
CON's other than price are of course how long before UA abandons upgrades, or this becomes "legacy"