UAD Studio Edition
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UAD Studio Edition
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G. Pernet
super!
Had the legacy version since the early days of the UAD, but this revamped version sounds a lot clearer and more open.. No Brainer!
S. Malmo
"My Go-To" Vocal Compressor
Previously using Logic Pro 9 native plugs to compress my vocals, I would often have to work very hard to employ serial or parallel compression techniques, fiddling with the settings until I could get my vocal to sound good on its own, let alone within the mix. The LA-2A plug's simple settings and distinct and sought after "coloration" allows me to spend more time focusing mix overall, rather than fussing over the vocals. Use the LA-2A when you need your compression to be "transparent" with a just a little added warmth.
R. Geal
1176 Classic Limiter Collection
These take the grapes and squash them into the finest wine.
P. Charell
LA-2A Collection
Love these!!! Especially the LA-2 and the warmth you get just by putting it in the chain.
G. Doscher
EQ as it Should Sound
Like the original hardware, it is very difficult to get a bad sound out of these no matter how much boosting or cutting you seem to be doing. Between the EQP-1a and the MEQ-5 you can cover a surprising amount of ground. Even given the limited frequency notches, I don't find myself wishing I had more selections. Aside from how well these modules do as an EQ, the vibe you get from just putting this in your signal chain is great. Super rich and fat. Whether I'm using any EQ or not, the EQP-1 or the MEQ-5 will always be on my master buss just for the warmth.
M. Kaufer
Bumbaclot!
Only few words are needed to review this fantastic Lexicon Reverb simulation.
This UAD Plug-In might be one of the most mazing ones, i've ever worked with.
From super subtile usage via aux send, like just adding a little space - to your tracks,
to dubsteppish like killer plates. This plug in does what it's supposed to do - full range!
Anyone who loves the legendary sound of lexicon's reverbs and is looking for an native alternative - UAD's Lexicon 224 Digital Reverb is the ultimate answer.
S. Seiver
amazing
this bundle is beyond useable. it has made its way everywhere in my mixes. so happy to have it!!!
F. Hames
1176 learning curve
Very excited to receive the 1176 collection. Certain UA plugs are routine players in mixes. It's always fun to put audio through them and hear for the first time how they react. They each have a character, a color and an instrument/voice they works best on. I'm still trying to figure that out.
D. Price
Studer A 800 - Incredible
I have just moved across from waves plug ins to UAD. I had the full waves package and I have to say this plug in blows any of there tape emulation plug ins out of the water. Incredible and worth every penny for everything.
D. Price
Studer A 800 - Incredible
I have just moved across from waves plug ins to UAD. I had the full waves package and I have to say this plug in blows any of there tape emulation plug ins out of the water. Incredible and worth every penny for everything.
F. Mendoza
Oh Yeah!
This Eq is so pleasing to my ears. For color I used it for mastering for the first time ever and I was just blown away. Oh Yeah! :-)
R. Sheridan
Ua do it again!
I was seriously considering buying a 500 series pultec style eq.
Until I heard the pultec collection at work. The legacy model is fantastic I agree, but the collection has everything you need in eq plug ins! It's character too is undeniable. Great plugs, great sound I'm sold!
Would be as well selling all my hardware and other plugins the way ua is making these!
P. Ayuso
COLOR!
This is what I was looking for to add to the arsenal. It has fantastic color and one of a kind compression. Thanks UA!!!
A. Pir
Parallel comping
I like the new feature Wet and Dry.I hope UA update all it's plugins with a WET/DRY knob to solve latency adjustment in pro tools.
M. Smith
More subtle than the 1st version
Great EQ!!! I use it on most projects-not all! This and the original version of the plug definitely have a "thing" gong on in the high mids. More subtle and refined on the new version though!
There's a cool thing that this does on a buss that almost gives the illusion of doing something really cool to the stereo field, which it isn't messing that up at all. If you have a mix that is kinda meh sounding throw this on and check it out, you literally don't have to set anything. Just running it in the signal path will color it in a cool way!
Should have been a free upgrade though!
M. Smith
My Go To Compressor
I love this emulation! It gets more use than any other compressor I have. Absolutely stellar!!!!!! Should it get a 5 star review, yes! Should it also be a free upgrade to users of the old version, YES! Minus one star!
Used it on the front end to squash a picked bass track and add some grit-stunning! Used it for subtle compression on acoustic guitar, great! Beautiful job on this!
M. Smith
Good, not great
This is a really good upgrade to the UAD 1 version. I find myself using it less often though. I can't tell if it's the love affair I'm having with the newer 1176 revision or I'm just not that bowled over by this one!
On vocals and acoustic guitar (if I want "that" sound) it's really good, but when I need gooey color I'll find myself using the new Fairchild more often.
I also think all these "revisions" should have been free for the users that actually bought the original version (maybe not the folks who got it for free though?)! Considering this is my 3rd UAD device (2 previous ones discontinued), I've invested quite a bit into the company! Funny they decided to give 1/2 of the 610 plug for free to Apollo users. Kinda weird!
G. Noteris
Fast and smooth
This little box acts like a fast LA2A while remaining very smooth.
I didn't even considered it until recently. A few tries and i was sold.
Sounds very natural when you need a fast attack without crushing everything.
5 stars... again !
E. Andersen
toneshaping
a great toneshaping tool, that can create lovely Fuzzy highend, rounded bottom and Dimension to the sound.
E. Andersen
underrated
this one is great for leveling, and also crasy shit to bring the tail of the sound forward (try it on a reverb bus)