UAD Studio Edition
User-Rezensionen
UAD Studio Edition
Only registered users can write reviews. Please, log in or create an account.
D. Cunningham
Worth it!
Once I tried these and compared them to the legacy, it was pretty much a night and day difference. I love that with these you have 3 different options and especially within each the emphasis knob is there to fine tune it to your material for which frequencies you want compressed. Though i've never used the original hardware, compared to what the la2a plugin was before, these seem to be a giant leap ahead, with such impressive tonal qualities, you can't really pass it up!
J. Vawter
Nicely updated Pultecs
In a busy or dense mix, you might not notice much difference over the legacy version, but on airy or sparse material it shines, much like the Manley. The new filter is just beautiful, icing on the cake. Ideal for any sound that needs to stay clean and natural. Although it does have a definite color, the tone shaping is more like sandpaper than a chainsaw. Engineers printed it for decades because it's pretty hard to mess anything up going in. Coming from that background, if I had an Apollo I'd probably print it even today. Now the slight downside: although the plugins are neatly stacked in the graphic, they are individual instances. Unless UA comes up with a chainer, it would be nice to also have a stacked version, like the Pultec Pro.
R. Bozhok
Amazing!
With dbx160 plugin, I can "insert" any bass drum to any mix! With only two knobs I can get any type of attack and punch. Very useful and time-saver plugin!
L. Chard-maple
A massive improvement and nice tonal pallette
I found these plugins much more usable than the old plugins which is still very usable. I compared these against the CLA compressors and they seem to offer a fair bit more depth, they seem less 'processed' sounding than their competitors too. each one has a slightly different texture as well which makes them suited to different applications. been a long time since I played with a hardware version but the transparency (maybe not the right word) and grit feels very familiar.
T. Prilesky
Very Happy
This plugin sounds big and three dimensional. Going between the new Pultec Collection and the old Pultec plugin really shows how far they've come. Good job UAD!
L. Laing
lexicon 224
Best sounding digital verb that ive owned. I was mixing a cd for an artist, demo'd this unit, then went back and replaced almost all of the lead vocal reverbs with the 224. just sounds amazing...
.
224 is good, but limited.
Great reverb! However it only work well on certain sources as it is somewhat limited in editing parameters. I have the Lexicon PCM reverb bundle which I find myself using more. But for the money and quality, the 224 is a good buy.
D. Moon
I don't know much
but i know these sound stinkin' AWESOME!!!! I have never heard one of these in real life, only seen them, so I am not comparing them to the real deal. In comparison to any of my other software compressors tho, it's pretty much no competition yo.
J. Robins
My go to for busses!
This thing is a beast! Sonically it imparts something very special and can really help to glue together tracks on a buss. All the joys of tape without the headaches.
Y. Kawahara
Pultec Passive EQ Collection
New UAD's Pultec Passive EQ Collection is nice sound bifore one.
D. Saada
LA-2A my love...
Works so nicely on bass and voices... can't live without it.... thanks UA
H. Shintani
Perfect
There is only this in female vocal!!!
It is wonderful.
M. Mahler
Digital reverb plug-in to add the smooth reverb to your tracks
With my purchase the UAD hardware, the Lexicon 224 Digital Reverb was one of my first acquisitions and I don´t regret. It contributes strongly to the quality of my mixes by adding the space and tonal changes to Snares, HiHats or other instruments. What I appreciate most compared to other native based plugins is its analogous warm sound.
A must-have plug-in if you want to lift up your mix result.
S. Parsons
Fantastic Collection!
As soon as i demoed these, I was instantly impressed! Use these mostly on drums and guitar which come to life and sound really rich and punchy.
H. Krogh
One of Two
To me this is the kind of plugin that you have to have been around the block a few times to appreciate. What it does is so subtle that you can hardly tell if it's on or not (on some settings) but it makes things sit much better in the mix amd that's a huge quality to me.
I think that this will probably a plugin that I will most likely add to preety much all tracks, or at least groups, until I run out of DSP.
With the One of Two headline I'm of course making a reference to the Ampex plugin which on the surface seem to do pretty much the same. Well I have both and the short answer is they are not :-)
D. Hiett
My desert island plugin
If I could only have 1 plugin for the rest of my life, this would be it. By being a little creative you can get so much out of this. And it just sounds so real! I couldn't be happier with this plugin. This is the best tape emulator there is on the market. Buy nice or buy twice, this is the one. My only complaint:
Pitch control. Why is there no pitch control? To be able to slow the tape down, record and then set play back to a higher speed as you can with real tape machines would have been the icing on the cake. But I digress, beyond that feature there is nothing you can't do with this plugin that I like to call "Saturation Island"
R. Rodriguez
Get these now!!
such a great price for this collection of vintage gear emulations.
you know youll never have enough to buy the real ones let alone separate ones on 15 different tracks
thanks again UA!! More MOOG stuff now please.
P. Tavasoly
As easy as a dream
Maybe I purchased this plug-in a little late.
It sounds cool on everything. It feels the gap bethween LA-2A and 1176.
And it is also so light on dsp load making you able to run so many instances.
My recommandation is do not let the price and the date of release fool you.
I did that mistake and resisted buying it for so long.
Now I use it on too many sources and I'm enjoying it even more than FAIRCHILD or even 33609 and SSL G-COMP.
It won't let you down. I'm really planning to buy the hardware version.
A. Johnson
Loving the Leveler
I wasn't really sure I needed an upgrade with more variations on the LA-2A theme. There are so many out there, and I have used the original UAD plugin for years. But I'm happy to say, it was very well worth the upgrade price. Suddenly, I find myself using the LA-2A Classic Collection plugins constantly, whereas before it was only an occasional thing. It's safe to say they have become my new go-to for compression on vocals (especially backing vocals), guitars, and bass. The different flavors are actually distinctly different, each one having it's own best uses and character.
These new plugins really do have much more of the "ghost in the machine" - that magic that analog gear creates and so few plugins can mimic.
C. Mateka
use them every day
The only reason why I use a standalone computer in my studio and not a laptop, are the UAD plugins - i use the now legacy 1176 compressor on many bd, sd, bass sometimes guitar and even when i use another plugin with the same settings - i prefer the uad .
now that i've got a uad-2 i had to demo the 1176 collection and - i have to admit, i never worked on the "real" one - i noticed a few changes. the 1176 work good for masterbus compression, but not as good for a bd like the old 1176. but maybe i've got to get into that much more. i like them also on vocals, with the slow attack settings.
like all other newer uad plugins, the 1176 eats quite a lot ressources of your card, i wouldn't recommend using it on every source, but on some - IT ROCKS