UAD Studio Edition
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UAD Studio Edition
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O. Moore
Teletronix® LA-2A Classic Leveler Collection - it's good!
Hello! Teletronix® LA-2A Classic Leveler Collection loved it! I was pleasantly surprised by the quality of compression - good breaks MIX. It is a pity that requires a lot of resources on the chip UAD (UAD Solo on about 25%)
Good luck!
O. Knight
Wow! It just keeps getting better!
UA just keep raising the bar. This really is another evolution in the standard of tools available to us in the digital world.
Does simply placing this plugin in the signal path improve things? Yes! Does it sound like the hardware? Yes!
I don't have an original 1A here in my studio at the moment so I can't do a proper A/B, but this plugin instantly gives me the feel I am looking for, the same feel I have always got when using the hardware. Is it going to be exactly the same as the hardware? Well, no! But try to find two hardware units that are exactly the same as each other! It sounds like a Pultec.
An amazing update, a great price, low DSP hit, and THAT sound!!!
Once again UA you have captured and recreated magic.
This really is Pultec!!
M. Curran
Now hold on...
What's going on here? I own the Pultec Pro, and use it often. Is UA repackaging it with another module, and charging $299 for it? Is this a complete reworking of the plugins? If so, is there reduced pricing for owners of the old ones?
B. Emerson
Game Changer
This is the best analog-style compressor plug-in there is. Makes things sound tight, warm, focused, colorful, and analog. Just beautiful.
B. Emerson
Best Emulations Available
I've used every other 1176 based plugin. None of them can do what these do in terms of distortion. Very easy to dial in nice grit. With the others it has always been either too little or way too much.
A. Leardprasopsuk
Unbelievably Smooth
Didn't really like the old one as it's a bit harsh but this one UAD really nailed it. It now lives up to all those hypes about these EQs. It's incredible how I can add mid-range tone and nice clean air into my tracks without any harshness!
A. Theoret
Dozens of 1176s for a few hundred?!
My favorite sounding compressor plug in. Most compressor plugs lose texture and punch when compared to good analog compressors, however these have all of the punch and grit of the hardware original(s). An absolute no brainer, must have plug in.
K. Yanagi
WOW！！
1176 Classic Limiter is So Good !! 1176 Classic Limiter is So Good !!
R. Hazell
LA-2A Collection
Haven't heard anything with this much analogue mojo in a compressor before. The UA plugs just keep getting batter.
A. Souza
Amazing!! Sweet!!!
The most amazing plugin ever!!! Make my tracks sweet!! Acustic guitars, voice and more.
J. Grefsrud
Awesome
This plugin is so good I'd like to use it on every channel! But the multi-unit Apollo-software is so buggy that I can't..
Hoping to be able to use it more after UAD 7.2.
T. Reis
Excellent
Finding its way on to more and more of my tracks. What can I say about this that hasn't been said before ?
S. Grush
Magical
This collection is super legit. From soft to heavy compression and everything in between, you need these in your mixing repertoire. My first instance of "wow" was using the Silver on a lead guitar. I was just fighting to get the lead to sit right and I pulled my entire chain a part and started over. Removed the outboard Distressor (which is super rare to do that) and the lead just sat well in the box. No EQ, just the Silver. I went back and carved the EQ a bit and it was polished like a gem.
Highly recommend.
S. Grush
Options Galore
This was the first purchase post Octo purchase for me. I was immediately in love with the compression versatility and options this bundle brings to the table. My first mix implementing these guys was much tighter than I can ever recall with other products. I'm very excited to have the UAD products in my tool belt and I'm really excited to hear the mixes I've always wanted to hear, moving forward.
T. Fitch
Best Yet!
I have so far been unable to find a digital reverb that didn't sound digital. Then I demoed the 422.
I have been fortunate enough to have used the 224 and 422 in the past. This is it. Again UAD gives us as close to the real deal as is possible. After a couple minor tweaks to fit the flavoe of each song, It just sits in the mix. It will be on every mix for a long time. Many thanks UAD!!
Todd Fitch
The Sound Shop Mobile Recording / Gigstream
S. Haney
best plugin to emulate distortion on compressors
I have tried loads of plugins, and although they can get pretty close like the waves version, once you start ramping up the gain, nothing comes close. To me this is what makes these character compressors so good to work with, you can use it almost like a reverb to get a certain spacial air to your program material, like drums or vocals, and this plug in delivers in spades! The price is amazing for what it can do.
S. Hughes
LA-2A heaven
I already had the original UAD-2 LA-2A that came bundled with the Apollo, and never considered the merit in buying it again as the new Classic Leveller Collection.
So glad that I ended up getting it though. Completely different beast.
UA has outdone itself this time and I feel they've perfected this classic box at long last, and while they were at it, they modelled three classic versions of this DREAM box for audio pros in the know.
I just used these for the first time on a session this week, on lead vocals, guitar, and even bass in the final mix, and that same track for Gold Record artist Noel Parlane is now already playing on air in Ireland, Germany and New Zealand and getting great responses from Radio officials.
That says it all.
N. Pitloglou
The holly "Three"
After purchased the LA-2A Classic Leveler Collection, I spent many hours trying to find which one sounds better. The point? Each one has its own magic depending on the usage. For example on different singers I found that I had better results with different revisions of LA-2A. Is it complicated? No. It's creative! Amazing colors, amazing compression.Highly recommended!
J. Moreland
A little effort and you're in analog heaven!
While at a session in L.A. last week, the band and I over the songs a few times as the engineer was getting tones and recording them to Pro Tools (sounded fine). Then we tracked the keepers onto a 2" Studer machine. I couldn't stop grinning after hearing my kit played back through that deck (it's been so long, I'd forgotten what tape does for drums). When I got home I started the A800 demo, tracked some drums and right there in front of me was that sound. Subtle on the overheads (like they were EQ'd - with really awesome EQ), more pronounced on kick & snare (the body of the drums were pulled forward, whereas it was mostly attack before). The price kept me from trying this out before. Don't be stupid like me, buy this. I finally did.
D. Dipietro
How many LA2's do you need?
My inclination was to skip this since I already had the stock LA2. Why do I need more versions of a compressor I've already got. Then of course with the 14 day trial I decided to experiment. Throwing the Gray faced on a kick I recorded for a punk band and changing the emphasis control was all I needed to convince me it was worth the money. That control alone is worth the price for me.
I put the LA2 on everything low end and the emphasis control is now a necessity and the stock LA2 gets very little use.