EMT® 250 Classic Electronic Reverb
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Legendäres Hebel-betriebenes Digitalreverb & Modulationseffektgerät.
Das EMT® 250 Classic Electronic Reverb Plug-In für UAD-2 und Apollo Interfaces ist eine originalgetreue Emulation des ersten digitalen Hall-/Modulationseffektgerätes, das 1976 veröffentlicht wurde.
Das EMT 250 wird immer noch als eines der am besten klingenden, jemals gebauten Hallgeräte genannt und hinterlässt in den Händen weltberühmter Tonstudio-Legenden wie George Massenburg, Bruce Swedien, Daniel Lanois, Brian Eno und Allen Sides weiterhin unzählige Fußabdrücke in der Recording-Geschichte.Über die einzige Emulation des EMT 250 Hallgerätes aufnehmen und mischen, die von der EMT Studiotechnik GmbH vollständig autorisiert wurde
Üppiges Delay, Phasing, Chorus und Echo-Effekte hinzumischen
Schlagzeug, Gitarren und Gesang unverwechselbare Räumlichkeit und Tiefe hinzufügen – mit den gleichen Algorithmen wie in der Original-Hardware
Mit exklusiven Plug-In Funktionen wie Dry/Wet Mix, Wet Solo und Hard Bypass arbeiten
UAD Demo-Video
Das EMT 250 Classic Electronic Reverberator Plug-In erklärt.
In unzähligen Klassikern zu hören
Der unverwechselbar klare und offene Reverb Sound der EMT 250 wurde auf unzähligen Platten eingesetzt, darunter auf Prince & The Revolution’s Purple Rain, Elvis Costello’s Spike und modernen Klassikern wie Stadium Arcadium von The Red Hot Chili Peppers.
Exklusiv autorisiert durch die EMT Studiotechnik GmbH
Die Entwicklung des UAD EMT 250 Plug-in wurde von EMT unterstützt und verwendet den gleichen Algorithmus wie die extrem seltene Original-Hardware, die von Dr. Barry Blesser und EMT-Ingenieur Peter Bermes* entwickelt wurde.
Zusätzliche Vielseitigkeit mit neuen Funktionen
Das EMT 250 Plug-In geht weit über die Möglichkeiten der ursprünglichen Hardware hinaus. Es erweitert den Funktionsumfang um moderne, den Workflow verbessernde Funktionen, wie den Dry/Wet Mix, Wet Solo und Hard Bypass. Mit diesen hilfreichen Erweiterungen ist das EMT 250 Plug-In sogar noch leistungsstärker als die legendäre Hardware.
“The EMT 250 works great on snares. Keep it short and tight to add some dimension, or use the four-second range with full pre-delay for ballad-type songs.”
– Joe Chiccarelli (Jason Mraz, Beck, The Strokes, Morrissey)
“Now I have UAD on everything, and I'm using the EMT 140 and the EMT 250 as effects – It's so much easier.”
– Ryan Hewitt (Red Hot Chili Peppers, The Avett Brothers)
“Forget any other plate emulation, the UAD EMT 250 could actually be the real thing. Deep, wide, and full of personality.”
– Rik Simpson (Coldplay, Portishead, Jay Z)
“The EMT 250 plug-in is amazing. It’s all over Norah Jones' record. I used it on every song, it's that good.”
– Jacquire King (James Bay, Kings of Leon, Tom Waits)
“I’m a really big fan of the UAD EMT 250. It’s so faithful to the original unit.”
– Just Blaze (Jay Z, Kendrick Lamar, Beyoncé)
“I use the EMT 250 because it has such a specific sound, and the UAD plug-in really does capture it.”
– Andrew Scheps (Adele, Red Hot Chili Peppers, The Duke Spirit)*Alle hierin enthaltenen Bilder und Darstellungen, die sich auf das Äußere des ursprünglichen EMT 250 beziehen, unterliegen dem Copyright von Bermes Design.User-Rezensionen
D. Dustin
22. November 2024
Gorgeous sounding verb
This is a gorgeous sounding 80’s reverb whose character can work just as well with anything after the 80’s. It’s so beautiful and easy to use that is can give anything a musical sheen...
WeiterJ. Keen
21. August 2024
The hype lives up to the name...or does the name live up to the hype?
Everything UA says this reverb can do, it does. A faithful reproduction off of an original EMT 250. Cant go wrong. The presets are fantastic.
WeiterM. Breu
25. Juni 2024
Fantastic Reverb
If you only get one Reverb plugin, this is one I'd suggest. It sounds great on everything and can do much more than just reverb as well. There's a reason the hardware holds so much value....
WeiterD. George
22. Juni 2024
EMT 250
This is an authentic reproduction of a classic. I understand only around 250 of the hardware units were ever made with resell prices above $10K, so this is a steal. The EMT 250 just...
WeiterA. Kugler
15. Juni 2024
Unique sound and design I don't want to miss
I never had the chance to put hands on the real thing, and I thought I had enough Reverb PlugIns - BUT the EMT 250 is killer! It gives me sounds I always was looking...
Weiter -
Eigenschaften
Originalgetreue Emulation des allgemein als eines der am besten klingenden Reverbs angesehenen EMT 250
Der exakt gleiche Algorithmus, der auch in der Hardware zum Einsatz kommt, für den Einsatz im Plug-in in Zusammenarbeit mit dem Ingenieur des ursprünglichen EMT 250, Dr. Barry Blesser, umgearbeitet.
Das Plug-In basiert auf der „Golden Unit“ von Allen Sides aus dem United/Ocean Way Recording Tonstudio.
Weitere Delay- und Modulationseffekte im EMT 250: Delay, Phasing, Chorus, Echo und Space
Als einzige authentische Emulation vollständig von der EMT Studiotechnik GmbH autorisiert
Die exklusiven Plug-In-Funktionen wie Dry/Wet Mix, Wet Solo und Hard Bypass können über das leuchtende EMT-Logo abgerufen werden
Benötigt UAD-2 DSP System oder Apollo Interface
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User-Rezensionen
EMT® 250 Classic Electronic Reverb
D. Dustin
Gorgeous sounding verb
This is a gorgeous sounding 80’s reverb whose character can work just as well with anything after the 80’s. It’s so beautiful and easy to use that is can give anything a musical sheen that’s pretty much record ready. It’s not super versatile like say the Valhalla verbs, but what it does, it does in a top notch way. I have most of the Valhalla’s verbs, Sound Toys Super Plate, Pure Plate, the AMS verb, Echoboy, Lexicon, a custom spring reverb unit (hardware, like the ones Fender made in the 60’s) and a bunch of others. The EMT 250 is what I first reach for when what I need is a pretty reverb with sheen and character that sits nicely in the mix. I love Valhalla’s verbs but the UAD version sounds superior to Valhalla’s rendition of the robust true EMT sound that UAD nailed imo. If you want to hear an EMT in action as the only verb used on an album, check out Cyndi Pauper’s debut album (with most of her hits), She’s So Unusual. A song like “She Bops” uses a lot of it where you can hear the tail more pronounced, whereas “Time after Time” uses it (the hardware) in a less pronounced but magical way.
J. Erato
EMT 250
Amazing
J. Keen
The hype lives up to the name...or does the name live up to the hype?
Everything UA says this reverb can do, it does. A faithful reproduction off of an original EMT 250. Cant go wrong. The presets are fantastic.
M. Breu
Fantastic Reverb
If you only get one Reverb plugin, this is one I'd suggest. It sounds great on everything and can do much more than just reverb as well. There's a reason the hardware holds so much value.
D. George
EMT 250
This is an authentic reproduction of a classic. I understand only around 250 of the hardware units were ever made with resell prices above $10K, so this is a steal.
The EMT 250 just works.A. Kugler
Unique sound and design I don't want to miss
I never had the chance to put hands on the real thing, and I thought I had enough Reverb PlugIns - BUT the EMT 250 is killer! It gives me sounds I always was looking for. It is one of those Plugins that never sound bad and you can use on any instrument. It is rich and wide and natural. Recommended to every serious producer out there! Alex aka codename_alominium (guitar player, harmonica player, composer, producer)
P. Motyczak
Excelent !
Great ambiences, classic 80s tone ! Beautiful
L. Schiappacasse
Timeless Reverb and Effects
The UAD EMT 250 Digital Reverb plugin is an outstanding emulation of the first-ever digital reverb unit. Celebrated for its lush, smooth reverb tails and versatile effects, the EMT 250 plugin faithfully captures the unique character of the original hardware. With controls for reverb, delay, chorus, phase, and echo, it offers a wide range of sonic possibilities. The intuitive interface allows for quick adjustments, making it easy to add depth and space to any mix. Ideal for vocals, drums, and instruments, the UAD EMT 250 stands out as a must-have for producers seeking classic digital reverb with modern flexibility.
P. Mussche
mixing with the EMT 250
very creative and exiting reverb, works perfectly in my mixes
J. Avera
Kick Ass
I'll be honest, I heard that Brendan O'Brien used this bad boy on drums for many of those killer albums. It hasn't dissapointed.
J. blasko
Just turn it on
Just turn it on for guitar pretty good. Still learning to tweak. Got it on sale
S. Saied
Simple and Awesome
So simple and easy to use I’m really added that magic touch to my drum tracks. Within about 30 seconds of adding the insert, my drums came alive. The other river plug-ins I have a little harder to tame in my opinion, but not the EMT 250. I can see why so many people like this reverb.
L. Barbic
Wow
Stunning reverb
M. Schneider
a perfect reverb
I like the warm and authentic character of the EMT 250. It`s simply the best emulation on the market.
M. Palermo
The Best Classic Electronic Reverb
Há anos aguardo uma oportunidade para comprar um dos melhores reverbs que já conheci. Fiquei impressionado desde a primeira vez que o ouvi.
A. Lee
Melts into the music
That's how I hear it - somehow melding and merging with the dry mix in such a natural and very smooth / velvety way
D. Caruso
Mickeal Jackson
Cette reverbe était la Favorite de Mickeal Jackson et je le comprends
B. Spence
EMT 250 Verb
Great sounding reverb with easy use adjustment’s, for tweaking the good presets. Great complimentary to the EMT 140 (my snare go to reverb) and the Capital Chambers reverb.
T. van Vliet
Does it for me
Great versatile reverb. Loads of presets ready to use. Very flexible and feels like the reel deal.
A. Mtz
Smooth, creamy , ready to go !
i could laugh when people say : It’s realistic hahaha there’s no way to know the difference with this beautiful sounding reverb and the real analog machine. It hurts , but Digital have turn the analog down.
The only analog advantage is the palpable faders and that the machine “ burns “ in your own way , i know that. The plug is a sound that a lot of people
will have; it’s time to let the creativity distinct our sound besides the machine.
I put it in a bus track , send a voice track , instant magic , the reverb blends perfect , gave a gorgeous “felt” space
